The track “Drill organisée – Part 2” emerged in 2022 as a powerful mash-up that brings together some of the most influential voices in French rap and drill: Ninho, Ziak, Kaaris, Freeze Corleone, SDM and Nahir. Rather than being a traditional studio-collaboration under a label, this version was crafted by a YouTube producer (known as Ft2ouf) and uses acapellas (vocal stems) of each artist over a unified drill production.
The concept behind the track leans heavily into the “organised” theme — reminiscent of the classic French rap crew anthem Bande Organisée — but here re-imagined in a darker, harder‐edged drill setting. The instrumentation features the characteristic crunchy 808s, sliding bass, hi-hat triplets and ominous tones of UK/FR drill. The vocal selection draws from each artist’s distinct style: Ninho’s melodic flow, Ziak’s masked aggressiveness, Kaaris’s menacing tone, Freeze Corleone’s cryptic bars, SDM’s punchlines and Nahir’s street narrative. According to reporting, the mash-up uses acapellas from Nahir & Freeze Corleone’s “Moneygram”, Kaaris’s “Moula Moula”, Ziak’s “Prière”, Ninho’s “Binks To Binks 7”, SDM’s “Bonne Journée”, and others.
Culturally, the track captured attention for a few reasons. First, it threads together artists from somewhat different camps and labels under one imaginary “feat”, giving fans a what‐if scenario that has strong appeal. Second, it shows the power of the drill sound in French rap — showing how it can be used not only in “solo” tracks but also as a unifying sonic backdrop for multiple voices. Third, the track is part of a broader trend of ‘‘mash-ups’’ and imaginary collaborations that generate buzz and engagement among listeners and on social media platforms.
In terms of reception, while it is not an official commercial release in the traditional sense (label‐distributed single), it nonetheless achieved significant online traction. Users commented on SoundCloud and YouTube, calling it “une pure dingerie” (one commenter) and noting the “lvl” of the combined flows. Its existence also prompted commentary in French hip-hop media outlets, describing it as “ce feat de rêve devient réel” (this dream feature becomes real).
For the artists individually, each brings an established presence in French rap and/or drill: Ziak is a major representative of the francophone drill scene, noted for masked identity and UK-influenced sound. Kaaris, already a veteran, has dabbled in drill‐style tracks and is a veteran of the street rap scene. Freeze Corleone has built a cult reputation for cryptic and aggressive bars. Ninho and SDM bring more mainstream rap credentials, thus the mash-up spans both the mainstream and the underground.
In conclusion, “Drill organisée – Part 2” is an inventive cross‐section of French rap and drill culture: a fan-driven mash-up that imagines a powerful coalition of voices. While not a typical label-backed release, it nonetheless functions as a snapshot of the current rap landscape—one where genre lines blur, promotion is increasingly driven by digital creativity, and drill continues to assert its presence. For listeners, it serves both as a showcase of each artist’s strengths and a hypothetical “what if” moment: what if these heavy hitters really teamed up under one brutal drill beat?
